Part of a posthumous salute to artist James Bama.
Apparently, 1967’s The Harrad Experiment—about which I wrote the other day—was not James Bama’s first experiment with white-background paperback fronts. Southern California bookseller and books historian Lynn Munroe writes this about the 1965 edition of Willam Goldman’s Temple of Gold:
Before this book, any blank white space on a mass-market
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