2012, UK, directed by Lasse Hallström
I know the romantic comedy template calls for an eleventh-hour impediment to true happiness for one and all, but they really go overboard here with the destruction and resurrection, piling on not one but two major developments in quick succession when something rather simpler would surely have done the trick. Silly stuff, but the central performances are generally charming, and I fear the satiric portrayal of the UK civil service is rather closer to the truth than they'd like.
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